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Grateful Dead Live at Oakland Coliseum Arena on 1992-12-16




Disc One
1. Feel Like A Stranger ;
2. Brown Eyed Women ;
3. The Same Thing ;
4. Loose Lucy ;
5. Stuck Inside Of Mobile With The Memphis Blues Again ;
6. Row Jimmy ;
7. Let It Grow

Disc Two
SET2
1. Shakedown Street ;
2. Samson And Delilah ;
3. Ship Of Fools ;
4. Playing In The Band >
5. Drums>

Disc Three
1. Space>
2. Dark Star Intro >
3. Dark Star >
4. All Along The Watchtower >
5. Stella Blue >
6. Good Lovin'

ENCORE
7. Casey Jones


Collection GratefulDead
Band/Artist Grateful Dead
Date December 16, 1992
Venue Oakland Coliseum Arena
Location Oakland, CA

Source fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables> koch power supply > canare star quad cables>koch modified panasonic sv-255
Lineage panasonic sv-3700> hhb 830>CD-r>EAC (secure mode)>.wav>Flac
Taped by Ed Boardman
Transferred by Ed Boardman and Chris Evans


Notes

Trouble ahead, Jerry's in RED!!!!!!!

Reviews

Reviewer: njpg - - January 23, 2014
Subject: -
Excellent recording, and great to have: for once, Dick picked a real good one. OK, maybe he has a better track record than I just made out, but this show is truly excellent.
Reviewer: barreramusic - - April 26, 2012
Subject: Nice audience copy!
Thanks! I was at this show, and I have a poor recording. This is better, but I best get the official cd. Great show!
Reviewer: Sedula - - December 16, 2010
Subject: 2nd verse of Dark Star
They only do the 2nd verse of Dark Star here as they did the first verse a few nights earlier. I was at all of these shows and this was the best one of the run.
Reviewer: cb18201 - - April 20, 2009
Subject: .
this is the best show of 92 by far, go buy dicks picks 27
Reviewer: nigeldavahah - - December 16, 2008
Subject: DEAD
GREAT DOWNLOAD!
Reviewer: Rings&Bells - - September 18, 2008
Subject: Better than I expected...
I probably never would have given this a listen had it not been for Dick (or rather David) picking it, but I was pleasantly surprised. For all of those people who rip on Vince, he does some pretty nice work on the keys here. Row Jimmy and Let it Grow stand out in the first set and All Along the Watchtower is hit out of the park in the second set out of a short, but interesting because they only sing the SECOND verse, Dark Star. The Casey Jones encore smokes and there really isn't a sub-par performance in the whole show. The sound is pretty good but not spectacular for a '92 aud.
Performance: 4.0 Sound: 3.25
Round up to 4 stars for the pleasant surprise.
Reviewer: average_joe - - April 5, 2008
Subject: Dick's Picks 27
Okay, so what gives? Why does Rhino pull all the soundboards from being downloaded? So they can have more commercial releases.
Then why do they still allow the posting of audience shows of commercially released CD's? It's not very smart business.
Who is going to pay a primo price for a primo show if they can get it for free? That's right. No one.

Economics 101 was obviously not taken by the numbnuts who are in charge. It's a real simple concept; supply = demand. If your supply is free, there is no demand. DUH!!!

Anyway, as with all the shows that I've heard that have been commercially release, there is a reason they have been released. It's usually because they kick ass. DP 27 is no exception. Sweet ass show.
Download it, buy it from dead.net, stream it. Good, solid show. Peace and hang loose.
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded FOB from floor Section 3, Row Q, Seat 8
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled: Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.